A Thousand Ways – Part 2: An Encounter Written/Directed by 600 Highwaymen Public Theatre June 14, 2021 Production website 💉💉💉 out of 5
Now the action of Part 1 shifts gears sharply. Now this next $15 dollar ticket gets you to the actual THEATRE and gets you sitting directly across from an actual person. Still an audience is lacking but at least we are getting a live event! That’s big! There were about a dozen or so waiting in the lobby and one by one the usher would lead into one of the many theatre spaces of the Public Theatre where we would find ourself on-stage (not in the audience) and facing a simple, well lit table, 2 chairs, one social distancing screen, a stack of typed cards, a pencil, a blank card, and a tape dispenser. Rather spooky to be sitting there all alone. Eventually another person from the lobby that you do know know at all is led into your space and sits in the opposite chair.
A Thousand Ways – Part 1: A Phone Call Written/Directed by 600 Highwaymen Public Theatre June 13, 2021 Production website 💉💉 out of 5
Let me begin by saying that this really isn’t theatre in that it lacks one essential ingredient – an audience. This makes Thousand Ways an experience and not technically theatre. But at this point in theatre’s resurgence, I’ll take ANYTHING! The premise is interesting: everything happens with a phone call to a total stranger that remains a stranger throughout. Once your $15 dollar ticket is purchased, you are given a day, a time and a code to dial. When that time comes and you enter the code an pre-recorded electronic voice patches you through to another random person. From there the most mechanical voice asks you to share things with your partner ranging from serious to silly and to do all kinds of imagined fantasies as to what this person must look like and what their habits might be.
GNIT
Written by Will Eno
Directed by Oliver Butler
Theatre for a New Audience
Polonsky Shakespeare Center
March 10, 2020 Production website
💉💉💉💉💉 out of 5.
I loved, loved, loved this show. It is one of the very few “5 needle” productions I have given out over the past few years. Every single moment of the play was a treasure. I couldn’t wait for the next scene or the next change in plot. Even after its 2+ hour run time, I wanted more and more. I have read so many posts in Facebook over Spring Break of my friends and former students taking in Moulin Rouge, Come From Away, The Inheritance, and on and on and rightly raving about each show. BUT, if they miss Gnit, they are missing New York theatre at its very best! If my friends and former students value my opinion, then THIS must become their must see! Here are a few reasons this play thrills:
The Perplexed
Written by Richard Greenberg
Directed by Lynne Meadow
Manhattan Theatre Club
March 8, 2020 Production website
💉💉 out of 5.
The Perplexed did that and did that for over 150 minutes and did that without any prize for having stayed the course. I felt like I was in these expositional first few scenes of a comedy where you do not expect much to happen except the setup that is going to so pay off when you get to the last half of the show. I was more than willing to be patient! But this was exposition that went on and on and right to the last moment and felt like a long, long joke that was refusing to get the punch line!
72 Miles to Go . . .
Written by Hilary Bettis
Directed by Jo Bonney
Roundabout Theatre Company
Laura Pels Theatre
March 8, 2020 Production website
💉💉💉 out of 5.
I really wanted to love this play; I really did. I was thinking it was time for a good play to really deal with the DACA debate and the personal stories of those who are living through the experience and the fear.
72 Miles to Go . . follows a splintered family over 10 years of strength, struggle and love, as they face the profoundly personal drama of immigration. Seventy-two miles. That’s the space between Nogales, Mexico and Tucson, Arizona—and the world of distance that separates a mother at a shelter and her American-born husband and children.Continue reading 72 Miles to Go . . .→
