Category Archives: Broadway

Patriots

Patriots
by Peter Morgan
Directed by Rupert Goold
Ethel Barrymore Theatre
April 12, 2024
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

Simply brilliant! Patriots is everything a play should be: a smart play that gives causes you to think and feel – excites your imagination – is fun and clever – dangerous and radical – challenges your view of history – and causes you to think about your future! All that in 2 glorious hours. Set in 1991 as the Soviet Union is morphing into the new Russia, oligarchs are taking over the government and billionaire Boris Berezovsky (brilliantly, brilliantly played by Michael Stuhlbarg) looks to an unknown deputy mayor of St. Petersburg, Vladimir Putin (equally brilliantly played by Will Keen) to serve as the eventual successor to President Boris Yeltsin – Putin seems to be the perfect puppet to serve this king-maker – – or is he?

Appropriate

Appropriate
by Branden Jacobs-Jenkins
Directed by Lila Neugebauer
2nd Stage Theatre at Helen Hayes Theater
February 15, 2024
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5.

Appropriate was a very difficult play to sit through- particularly the first act.Β  I cannot remember the last play that I have seen in which there was so much yelling and non-stop, unrelenting anger.Β  From the first moment to the Act 1 curtain, every single character was raging about something.Β  And the problem when everything is yelled out – nothing is angry – and where do you go from there.Β  We, the audience, take yelling as the norm so when you really DO want to yell or highlight and attack we don’t even notice it – you have already used that ammunition.Β  Granted, Sara Paulson is a truly gifted actress and a powerhouse on stage.Β  She has a charisma on stage that is very rare – but even she became a leader in the anger campaign and spent Act 1, and, unfortunately, most of Act 2 angry and yelling away.

Prayer for the French Republic

Prayer for the French Republic
written by Joshua Harmon
Directed by David Cromer
Manhattan Theatre Club
February 13, 2024
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5.

In 1791 France became the FIRST European country to fully free its Jewish population, and for the for more than 200 years, French rabbis spoke a special sabbath benediction: “may France enjoy lasting peace, and preserve her glorious rank among the nations”. For centuries, Jewish identity in France, despite periodic waves of hate crimes, has been tightly linked to the state but in Prayers for the French Republic that contract shows signs of strain.Β  In the first moment of the play, the son who insists on wearing a yarmulke to his school, enters the home, badly beating, having been accosted by an anti-Semitic group of men on his way home.Β 

Purlie Victorious a Non-Confederate Romp Through the Cotton Patch

Purlie Victorious a Non-Confederate Romp Through the Cotton Patch
Written by Ossie Davis
Directed by Kenny Leon
The Music Box
December 7, 2023
Production website
πŸ’‰πŸ’‰ out of 5.

I was just not β€œinvited” to this play. From the very first moment, this play just roared on by.  Leslie Odom, Jr. just exploded on stage – – speaking and moving so fast that I could barely understand what he was saying and what was going on.  I really have no idea what was gained by this storm of behavior.  It took a good long time before the play settled down so that I could understand what was going on.  I just felt that everyone in the play was working too hard – and not to the betterment of the story.  They were squeezing each line to get just as much as they could out of each word – – which ended up making all words of equal importance.  It was truly hard to connect with any of the characters; they were so busy acting.

How to Dance in Ohio

How to Dance in Ohio
Book and Lyrics by Rebekah Greer Melocik
Music by Jacob Yandura
Choreographed by Mayte Natalio
Directed by Sammy Cannold
Belasco Theatre
December 6, 2023
Production website
πŸ’‰πŸ’‰ out of 5.

Of my 10 shows that I saw on this trip I was most looking forward to seeing How to Dance in Ohio, but it was my least favorite show. I was so excited to witness a show that brought the inclusion of a cast of individuals who were self-identifying as people with autism. I thought it a great chance to give voice to people who would not normally be seen on Broadway. But, as the show made clear, no special exception, was to be given to any of them. They were going to be judged – – in fact, they wanted to be judged, on their own merits – – and it just didn’t work.