Category Archives: Broadway

Chicken and Biscuits

Chicken and Biscuits
Written by Douglas Lyons
Directed by Zhailon Livingston
Circle in the Square
October 16, 2021
Production website
πŸ’‰πŸ’‰ out of 5.

I love a good silly comedy but I just didn’t love this play.  Ala a Tyler Perry movie, there is a funeral of the family patriarch and everyone is drawn home for the service.  This, of course, sets out an avalanche of family dysfunctions and dancing skeletons in the closet.  Sounds familiar doesn’t it?   It was all so forced and so predictable.  The acting was so big and so forced that they missed many moments that could have used some subtlety.  Michael Uhrie as the token white guy in the play was truly hilarours.  His timing was perfect and he could make the most out of the smallest of moments.  He was almost worth the price of admission. The rest of the cast seemed to depend on attitudes in place of character development and stereotypes at the cost of originality. I do have a problem with stage plays that would have made a better TV show.  I am not sure what Chicken and Biscuits had that demanded live theatre. 

Dana H

Dana H
Written by Lucas Hnayh
Directed by Les Waters
Lyceum Theatre
October 15, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

This play took me on an amazing journey. On its surface, it is a true-life experience of a woman from Florida who works as a chaplain for a hospice. One day she is asked to tend to a prisoner who has tried multiple times to kill himself. As she visits him, she is drawn into his web of charm and threats – – so much so that he is soon able to abduct her and take her on the road with him traveling throughout Florida and neighboring states on a rampage of killings, bombings and fights. And, as member of the Arian Nation there is no shortage of evil to be done. Throughout the story the audience asks how is this man able to keep the woman from escaping. She tries but is often denied protection from police.

Caroline, or Change

Caroline, or Change
Book and Lyrics by Tony Kushner
Music by Jeanine Tesori
Choreographed by Ann Yee
Directed by Michael Longhurst
Roundabout Theatre Company Studios 54
October 13, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

Admittedly, I am not trained or pretend to be a qualified musical theatre practitioner but I do love the art form. I write this as an audience member totally mystified at the art of musicals.  The first thing I noticed was how this musical spoke for this very unique time in Broadway history when almost every venue was working on plays exploring Black Americans and struggles they face every day.  The statue of the Confederate soldier that holds fort in the center of the stage and the center of the story of Caroline or Change became the perfect lightning rod for this β€œchange” in how post-COVID theatre is being practiced.  Artists are certainly exploring change in all arenas.

Pass Over

Pass Over
Written by Antoinette Chinonye Nwandu
Directed by Dana Taymor
August Wilson Theatre
October 10, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5

This play was perfection.  There was not a single word or gesture that was extraneous.  Visually the play made sense on the bare stage to a stage full of smoke and affects.  Very seldom have been so moved by a play.

In many ways Pass Over uses the play, Waiting for Godot and applies this story and its absurdist rules to an urban black culture.Β  Gogo and Didi have been replaced with Moses and Kitch.Β  The bare stage with a single tree has been replaced with a concrete median with a single imposing streetlight.Β  Even the classic bowler hats of the hobos Gogo and Didi are replaced by baseball caps that become treasured props to them.Β  I could go on and on with the comparisons and revaluations made in seeing Godot through this new lense – it was brilliant. Β 

The Minutes

The Minutes
Written by Tracy Letts
Directed by Anna D. Shapiro
Cort Theatre
March 11, 2020
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5

All of the advertising says that you are going to get a big surprise and twist at the end of this production – and granted you do, and, obviously, I am not going to spill the beans here. Β The problem I have with this big moment is that it was rather predictable 40 minutes into the show. Β You weren’t able to predict how visual this surprise was going to be – but you knew how the tables were going to get changed and the absent councilman was going to figure into the mix. Continue reading The Minutes