Fourth of July and I am sitting here with the Brits for a full day (near 6 hours) of King Henry VIII and his relationship challenges. This massive work was really quite perfect for the Fourth of July! Told in two parts separated by a dinner break, I took off my shoes, curled my legs and hunkered down for a delicious piece of this history. Smartly so, the set was black and grey and stark and ready to put all of the attention on the characters – not their world. Unlike most tellings of this piece of history, Wolf Hall focuses on the role that Crowell played as he goes from minor player to the puppet-master himself. Continue reading Wolf Hall, Parts 1 & 2→
Gloria
written by Branden Jacobs-Jenkins
directed by Evan Cabnet
The Vineyard Theatre
June 20, 2015
Production websiteΒ Β Β πππ out of 5.
Talk to any wanna-be actor and they will tell you that his/her number one fear is to spend out their youth in the confines of a cubicle, answering the phone, shuffling paper and dreaming of their next concoction at Starbucks! Gloria gives us such a cruel and competitive cubicle where twenty-somethings fight for the attention of their boss to get better jobs that they will equally disdain!
Office humor can be quite caddy and funny and then, of course, it can become quite crude, as lines are drawn and a feeding frenzy begins on all of the weak and disconnected employees. To avoid going out for drinks with the gang on Friday after work is to risk being the butt of the joke for a long, long time. Continue reading Gloria→
Disenchanted
book, music and lyrics by Dennis T. Giacino
directed by Fiely A. Matias
produced by Westside Theatre
June 14, 2015
πππ out of 5.
Six women play dozenβs of Disney Princesses in this adult comedy and send-up of all that is Disney and much of what is female in countless bedtime stories.
The result is super sweet, a bit naughty and truly captivating. My imagination was kept for the entire short 90 minutes of the play – grateful of course that they didnβt overwork the bit for another hour.
As the musical asks, I found myself wondering why almost every happily-ever-after – – involves finding that certain someone, Canβt a hard won happily-ever-after be just as sweet and rewarding on your own. I am NOT a Disney person and certainly not a Princess fan – but now I understand their appeal and danger to a young audience.
Not to sound too jaded, I have grown a bit tired of Neil Labute. His plays seem to relentlessly focus on broken people making poor choices and stepping on a lot of feelings in the process. But this play was different for me. This play was sexy. You have that delicious human drama of waking up the morning after the night you canβt really remember doing the thing that you are oh, so unsure of. Who hasnβt been there? Continue reading The Way We Get By→