Category Archives: Off-Broadway

Drag: The Musical

Drag: The Musical
Book, Music, & Lyrics by Justin Andrew Honard, Tomas Costanza, & Ashley Gordon
Directed & Choreographed by Spencer Lee
New World Stage
December 30, 2024
Production website
💉💉 out of 5.

Produced and introduced by none other than Liza Minelli herself, Drag, the Musical centers on the rivalry of two drag clubs each facing its own set of troubles. At the Cat House—where Savannah St. James (Jan Sport), The Tigress (Jujubee) and Puss Puss DuBois (Nick Laughlin) hold court—girl boss Kitty Galloway (Alaska Thunderf*ck) is dealing with imminent eviction. Across the street at the Fish Tank, house mother Alexis Gillmore (Nick Adams, of Broadway’s Priscilla, Queen of the Desert) is in big trouble with the IRS; fellow queens Tuna Turner (Lagoona Bloo), Popcorn (Luxx Noir London) and Dixie Coxworth (Liisi LaFontaine) push her into seeking help into seeking help from her estranged accountant brother, Tom (played by Rent’s Adam Pascal). 

 

Merchant of Venice

Merchant of Venice
Written by William Shakespeare
Directed & Adapted by Igor Golyak
Classic Stage Company
December 22, 2024
Production website
💉 out of 5.

This was just a horrible night in the theatre and it was made even more horrible in that just a few months prior to this production it was this very same director (Igor Golyak) and same company of players (Arlekin Players) that turned in for me what was the finest piece of theatre of the entire year, Our Class.  I thought that since both pieces deal the plight of the Jews and anti-Semitism, I was going to be in for a real treat seeing this fresh take on The Merchant of Venice which has long been regarded as one of Shakespeare’s so-called “problem” plays.  Classically, it is called a “problem” play in that it’s both a comedy and tragedy; and the villain, the Jew, Shylock, is portrayed with the worst anti-semitic tropes. But the “problem” in this HORRIBLE  adaptation is far more basic than anything cited by scholars. The messaging is muddied, and almost every line of the Bard’s text is just an excuse to do stupid stuff!

A Guide for the Home Sick

A Guide for the Homesick
Written by Ken Urban
Directed by Shira Milikowsky
DR2 Theatre
December 21, 2024
Production website
💉💉💉 out of 5.

The play is set in a simple hotel room near the airport in Amsterdam.  Jeremy,  a gay man white man meets Teddy a gay black man in a bar.  In that Jeremy has a few hours to kill before he catches his flight back to America, Teddy asks him back to his room.   Easy hookup – right? Pretty predictable right?  But that’s where the story just begins to take on a new twist and becomes about much more than just a tryst.   Harvard grad Jeremy has been in Uganda working for the past year as a medical assistant, and now he’s headed home to Boston.   Teddy, misinterprets the situation and makes a pass. Naturally, closeted Jeremy freaks out —

The Beacon

The Beacon
Written by Nancy Harris
Directed by Marc Atkinson Borrull
Irish Repertory Theater
October 20, 2024
Production website
💉💉 out of 5.

The Beacon tells (in a most uninteresting, jumbled way) the story of Bev (Kate Mulgrew) a famed painter of abstract art welcoming her son Colm back to the family cottage with his new American bride just has Bev has embarked on a full-scale renovation replacing most of her walls with glass in an odd desire to seek more privacy.  Enter an old family friend and home renovator, Donal who shares a secret (but not that scandalous) past with her son to be followed by a late inclusion of a local true crime podcaster interested in the death of Bev’s ex-husband and what do you get? – We don’t get much.  

Our Class

Our Class
Written by Tadeusz Slobodzianek
Directed by Igor Golyak
Adaptation by Norman Allen
Classic Stage Company
October 13, 2024
Production website
💉💉💉💉💉 out of 5.

This was a truly masterful piece of theatre and one of the best I have seen this year!  It was a true story of the stage and used the experience of being on the stage with a live audience to the fullest.  1,600 Jews were massacred in the small Polish town of Jedwabne in the summer of 1941. Such is the starting-point for this play by Tadeusz Slobodzianek which follows recent research by attributing the slaughter not to the occupying Nazis but to the local community.