Category Archives: Broadway

Flying Over Sunset

Flying Over Sunset
Book by James Lapine
Music by Tom Kitt
Lyrics by Michael Korie
Direction by James Lapine
Lincoln Center Theatre at the Vivian Beaumont
December 31, 2021
Production website
πŸ’‰πŸ’‰ out of 5.

It was a perfect New Year’s Eve.  I was lucky and scored tickets in the first row right to the side of the stage next to the step down into the audience.  The seat was comfortable, plenty of leg room and NO chatty neighbors!  Heaven!  The musical, Flying Over Sunset was quite an adventure.  The brief program note bears repeating, 

In the 1950’s the drug LSD was legal, but generally it was only experimented with by a small number of people either under the radar or in a clinical setting.  Flying Over Sunset is a work of fiction inspired by the extraordinary lives of Aldous Huxley, Claire Boothe Luce, Cary Grant, and Gerald Heard, all of whom experimented with the drug.  We know that the famed author and philosopher Aldous Huxley’s first experience with LSD began when he stopped at a new Rexall drug store in Los Angeles on what was to be a quick errand.  He was with his wife Maria and an old friend Gerald Heard.  WE know that playwright Congresswoman and Ambassador Clare Boothe Luce first experienced the drug in the garden of her Ridgefield, Connecticut, estate with Gerald Heard serving as her guide.  We know that at his wife’s urging, the movie star Cary Grant went to her psychiatrist’s office to find out more about this miraculous drug she dept urging him to try.  Flying Over Sunset connects the dots.

Trouble in Mind

Trouble in Mind
Written by Alice Childress and Michael Aegean
Directed by Charles Randolph-Wright
Roundabout Theatre Company at American Airlines Theatre
December 29, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

The last three post-Covid trips that I have taken to New York have all been about bringing visibility to black artists, stories, and history.  There has truly been a renaissance in black literature on stage and new actors/new faces are popping up all over Broadway.  It is so great to be part of this excitement.  But of all the stories about the Black experience none is more effective than Trouble in Mind – – and that is quite a feat for a play that was first optioned and later rejected for Broadway in 1955.  Back in 1955, the play was well received Off Broadway but was stopped on its path to Broadway because white producers wanted the script to be β€œtoned down”. The playwright, Alice Childress, refused to make the change. But today we see the full unedited production straight from the playwright’s pen.

Clyde’s

Clyde’s
Written by Lynn Nottage
Directed by Kate Whoriskey
2nd Stage at Helen Hayes Theatre
December 28, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5.

As the play began, I knew I was not going to like this play at all, but, as I left the theatre, I began to like it more and more.Β Β I believe the reason I got such a negative start had to deal with my seats.Β Β I was lucky/unlucky to score seats in the center section right in the second row.Β Β I had a clear view of the stage and all was good – – until the lights went down.Β Β From the very first moment all things on stage were SO loud and SO overplayed and SO working more to get an audience to laugh rather than settling down and trying to bring us into the world of the play.Β Β A perfect example is the character of Letitia twerking away for sake of the audience before we even know what/who she is in the play.Β Β 

Chicken and Biscuits

Chicken and Biscuits
Written by Douglas Lyons
Directed by Zhailon Livingston
Circle in the Square
October 16, 2021
Production website
πŸ’‰πŸ’‰ out of 5.

I love a good silly comedy but I just didn’t love this play.  Ala a Tyler Perry movie, there is a funeral of the family patriarch and everyone is drawn home for the service.  This, of course, sets out an avalanche of family dysfunctions and dancing skeletons in the closet.  Sounds familiar doesn’t it?   It was all so forced and so predictable.  The acting was so big and so forced that they missed many moments that could have used some subtlety.  Michael Uhrie as the token white guy in the play was truly hilarours.  His timing was perfect and he could make the most out of the smallest of moments.  He was almost worth the price of admission. The rest of the cast seemed to depend on attitudes in place of character development and stereotypes at the cost of originality. I do have a problem with stage plays that would have made a better TV show.  I am not sure what Chicken and Biscuits had that demanded live theatre. 

Dana H

Dana H
Written by Lucas Hnayh
Directed by Les Waters
Lyceum Theatre
October 15, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

This play took me on an amazing journey. On its surface, it is a true-life experience of a woman from Florida who works as a chaplain for a hospice. One day she is asked to tend to a prisoner who has tried multiple times to kill himself. As she visits him, she is drawn into his web of charm and threats – – so much so that he is soon able to abduct her and take her on the road with him traveling throughout Florida and neighboring states on a rampage of killings, bombings and fights. And, as member of the Arian Nation there is no shortage of evil to be done. Throughout the story the audience asks how is this man able to keep the woman from escaping. She tries but is often denied protection from police.