This play has appeared on my Theatre History test for the last 25 years. The question reads, βWhat classic naturalistic novel established the writing career of Emile Zola?β The answer is – – you got it!
I was so anxious to see this almost-never-done play to see if my lectures had any truth to them. To begin, I thought it a bit odd that this production was on Broadway. To me this play just seems to scream Off-Broadway. How in the world did this choice translate to the huge Studio 54 venue? I was more then curious. Continue reading Therese Raquin→
Cloud Nine was the dirtiest play that I have ever read – that is when I was in undergraduate school in the early eighties. It was full of not only talk about gender, cross-dressing, gay and lesbian issues – – it actually played them out – – and further – – it went on to stage actual sex acts on stage. I thought the world of that the world of theatre was going to change forever! It did! – – at least to the the 90βs when all of this actually become a bit played out – and certainly here in the 21st century it plays out as a curious period piece of a play suffering as a severe horn-dog and unable to find a date for the weekend. Continue reading Cloud Nine→
Ubu Roi
prestented by Cheek by Jowl
by Alfred Jarry
directed by Declan Donnellan
Lincoln Center Festival
Gerald W. Lynch Theatre
July 22, 2015
Production websiteΒ Β Β ππ out of 5
When a play begins with a live camera on stage projecting itself on the back wall – – I grow a bit afraid. How many times I have seen this gimmick and saw actors more worried about the image they are projecting on the back wall then making something happen between the people on the stage. Follow me for just the first few minutes of the play and you will see what I am talking about. The very monochromatic, beige stage features one man lounging on the couch playing with a live camera – – just looking into the lens and playing with the buttons. Cheerful French radio plays from the onstage radio. Then the play begins. Continue reading Ubo Roi→
starring Patti Lupone
written by Douglas Carter Beanie
directed by Jerry Zaks
Lincoln Center Theatre at the Mitzie E. Newhouse
June 21, 2015 Production websiteΒ Β Β ππ out of five.
Patti LuPone is the matriarch to a community theatre in the midwest. Does it get any betting then this?! Well perhaps. Shows for Days is all to familiar for any theatre geek. Donβt we all remember that first community theatre when we walked in totally in awe of the place and the beyond-over-the-top personalities and all of their sins of drinking, smoking and post-IHOP sleeping around. I so remember my first days in these broken down store front theatres! Also, remember that one matriarch that all worshiped and who gave her entire world to keep a troupe together and push out show after show after show fighting to keep money, personalities, and even the law at bay long enough to get the show on the boards. Continue reading Shows for Days→
At the Table
produced by Fault Line Theatre
written and directed by Michael Perlman
Here Theatre
July 19, 2015 Production websiteΒ Β Β ππ out of five.
The off-off-off-off-off world of NYC theatre produces a one-of-a-kind experience – – a play done completely out of passion! At the Table tells the story of a group of mis-matched acquaintances agreeing to spend a few days out in the country away from their busy city lives. It came off a bit like an episode of Real Life – where MTV would place a small group of people in a confined space with obviously pre-chosen types that will collide in fights and fits of passion all for the delight of the audience. What I love about At the Table is the very close proximity of the audience. I was literally closer to the dining table then some of the characters AT the dinner party! Continue reading At the Table→