My body tingled from the very first moment – – and all the way through the curtain call. I tingled. The hair stood up on my arms. I was in theatre nirvana. Never for a moment did I disengage from this show. In fact I tried to sit in the audience after the curtain call just to enjoy the high of the show for as long as I was able. Continue reading Spring Awakening→
This play has appeared on my Theatre History test for the last 25 years. The question reads, “What classic naturalistic novel established the writing career of Emile Zola?” The answer is – – you got it!
I was so anxious to see this almost-never-done play to see if my lectures had any truth to them. To begin, I thought it a bit odd that this production was on Broadway. To me this play just seems to scream Off-Broadway. How in the world did this choice translate to the huge Studio 54 venue? I was more then curious. Continue reading Therese Raquin→
Back on the plane to Jacksonville, with the extremes of Once Upon a Mattress and View from the Bridge in my brain. It is having some trouble putting both of these TWO shows in the same weekend! I will be back to work tomorrow for the next three weeks. I will be moving my acting class from Viewpoints to Meisner work and preparing for my return to NYC in just 3 weeks – – and when I return it will be for TWO full weeks so – – you can be sure I will be feeding my addiction with energy! Till then, catch up with my thoughts for the acting classroom on www.theatreclassaddict.com
So much to love about this production and so much to be totally annoyed with! I found the idea of taking this quintessential piece of American realism with its walls, floors, furnitures, carpets, doilies and hokie Italian artwork and stripping it down to nothing was really exciting. Gone were all the trappings of the set. Replacing the set was a stark bright white floor looking hard, unforgiving and anesthetic. A ring of black benches circled the square and a simple doorway was placed upstage center. Captivating in the very first minute! As the “boxed curtain” rose around the white square we witness two men, Eddie Carbone (an amazing, haunting Mark Strong) and his co-worker taking a shower under a massive steaming running shower. The masculinity and working class grit was there at the beginning. Continue reading A View from the Bridge→
I really didn’t want to see Once Upon a Mattress. What I really wanted to see was the “dream casting” that pitted Jackie Hoffman (Princess Winifred) and John “Lypsinka” Epperson (Queen Aggravain) together. I wanted to see this. But the problem was I had to sit through almost two hours of Once Upon a Mattress to get to this. It really wasn’t a bad production. Most of it felt like a very competent college production of Once Upon the Mattress that roped in two gay icons of the stage – – Hoffman and Lypsinka. If only there had been more of them and less of the rest. Continue reading Once Upon a Mattress→
Spring Awakening
