Leopoldstadt Written by Tom Stoppard Directed by Patrick Barber Longacre Theatre January 4, 2023 Production website 💉💉💉💉 out of 5.
This was one tough tough chew. This was one play that I wished I could have read or, ideally, seen twice. There were just so many story lines; so many years covered; so many characters, with such rich; so many mathematic illusions, Zionist history, and commentary on modern art , AND poetic language that I was treading water trying to gather as much as I could. Leopoldstadt is a late career masterpiece likely Tom Stoppard’s plays as he is well in his 80’s ,and he spends so much time in making his plays. But this is one great exit play! The play is much like a kaleidoscope – taking us through a boisterous Christmas party in 1899, a Passover in 1990, and a farcical circumcision in 1924.
A Christmas Carol From Charles Dickens Adapted by Jefferson Mays, Susan Lyons, and Michael Arden Directed by Michael Arden Nederlander Theatre December 23, 2022 Production website 💉💉💉💉 out of 5.
There is no better prep for the holidays than a good ‘ol go with Christmas Carol – and this is the best you will see in a good long time. Jefferson Mays rules the stage as the only actor for this 90 minute tour de forte. It is no wonder that he can hold the story and all of its moments and all of its characters. He proved that previously in his Tony awarded I Am My Own Wife. What was great here was to see Jefferson’s ability to snap and slide into all of the characters – – often holding conversations with himself – – each with a different vocal and physical choice.
American Buffalo Written by Eugene O’Neill Directed by Ciarán O’Reilly Irish Repertory Theatre April 1, 2022 Production website 💉💉💉💉 out of 5.
It is always magical to see a David Mamet play done well. It is great to see the very specific, graphic and course language of David Mamet be delivered as street poetry and not just a string of expletives. The ugliness of the language takes on a certain beauty in gifted hands – and these hands were gifted! Laurence Fishburne as Donny and Sam Rockwell as Teach were perfect in their roles. They played a mad, intense game of tennis batting their lines and intent back and forth in perfect form. I had a little trouble with Darren Criss as Bobby – perhaps because he is so indelibly connected to this role in Glee – or perhaps it was just the character of Bobby. He just looked like he was in another play.
Take Me Out Written by Richard Greenberg Directed by Scott Ellis Helen Hayes Theatre/2NDSTAGE March 30, 2022 Production website 💉💉💉💉 out of 5.
This play had everything going for it! I had seen the original cast 20 earlier but the play remained as relevant – if not more relevant today. The play has a nice organized plot with sharp character conflicts leading to a very satisfying climax. This play also had a highly complex masculinity. In fact, the play became a bit of a textbook on on being a man as it explored a most masculine, successful baseball player owning his homosexuality and seeing how it played through the various dynamics of his teammates and the sacred locker room.
A Touch of the Poet Written by Eugene O’Neill Directed by Ciarán O’Reilly Irish Repertory Theatre March 26, 2022 Production website 💉💉💉💉 out of 5.
Irish Repertory Theatre is one of my favorite theatres in NYC. The space is so small and in-your-face. No other theatre in the City puts you right on stage with the performers like the Irish Rep. Irish literature also is a favorite of mine. No other plays seem to have as much humanity – so much fighting, suffering and passion as the Irish plays.
Touch of the Poet started out very predictably for me. Two Irish bar goes were sitting around a bottle of whiskey providing us with the exposition needed for the night, and yes, one had an obviously makeup/manufactured scar and the other a bit too forced of a brogue. I was willing to accept these small bumps and settled down into one of Eugene O’Neill’s classics – only performed professionally after O’Neill died. I thought I had this play figured out. BUT THEN,
