20 Seconds – a play with music Written and Performed by Thomas Sweater Directed and Developed by Jeremy Scott Blaustein The Pershing Square Signature Center September 14, 2023 Production website 💉💉 out of 5.
This is a really tough play to review because the heart of the play is so true, so heartfelt and so important but the stage mechanics of it were so clunky. Clearly this work of love, resilience, and the undeniable “power of music to make real change in a persons’ life” belongs on the stage, but it could have used some better dramaturgy. Tomas Sweater’s autobiographical work leads us from his trouble childhood where music provided companionship to a career as a music therapist.
The Half-God of Rainfall Written by Inua Ellams Movement Direction by Orlando Pabotoy Directed by Taibi Nagar New York Theatre Workshop July 15, 2023 Production website 💉💉 out of 5.
The Half God of Rain was a mighty interesting show to see. It is not often you get to see a story about the Greek gods’ intervention in the life of a Nigerian basketball player . . . I was lucky to see it on only its second preview performance, so the cast was discovering things right along with the audience. I did have a couple of observations of the show. To begin the play was set in a stage filled with small black gravel. I thought this was a terrific idea as soon as the cast came out at the beginning and started to walk out in unison you could hear the crunch of the gravel beneath them. It was wonderful sound effect. I only wish that they had used this gravel more often during the show it was such a spectacular possibility for the show I just wanted them to exploit it further.
Alex Edelman Just for Us Written and performed by Alex Edelman Directed by Adam Brace Hudson Theatre July 11, 2023 Production website 💉💉 out of 5.
Most of the time when I go to New York to see shows, I purposely don’t do any research on the show. I like to be surprised. I like to have that experience for the first time. I held true to that in seeing Just for Us. I didn’t know a thing about the show other than it was a one-man presentation. It didn’t take me long to figure out that this was going to be stand-up comedy routine in a much, much larger space. I have seen this kind of format a few times before and it has worked – but at times the space fought the performance. This show felt to me like it was begging to be in a smaller space. I can only imagine what fun it was to see this piece when it was in various small clubs and experimental places around the world. I’m sure it had to be something to experience.
The Thanksgiving Play Written by Larissa Fasthorse Directed by Rachel Chavkin The Helen Hayes Theater May 26, 2023 Production website 💉💉 out of 5.
What this play sets out to do and what it accomplishes are two very different things. The play itself focuses on four very white individuals who work to create a politically correct “First Thanksgiving” play for Native American Heritage Month to be performed in various elementary schools. They hire a Native American actor, but later find out she is white and only plays ethnic on demand. The play then goes on to explore themes of historical accuracy and privilege. The playwright, a native American herself, sheds some light on the misrepresentation of Native Americans and the lack of indigenous casting.
The Collaboration Written by Anthony McCarten Directed by Kwame Kwei-Armah Manhattan Theatre Club/Samuel J. Friedman Theatre January 6, 2023 Production website 💉💉 out of 5.
This play is a somewhat fictionalized meeting between two famous painters, Andy Warhol and Jean-Michel Basquiat. BUT before the play begins we are treated to a post show, live DJ mixing hits from the 70’s and it is loud. So loud that the young set of the audience was dancing in the aisles and the older set were cringed in their seats covering their ears – a risky move given the age of the audience; Now to the play
