Category Archives: 2 πŸ’‰πŸ’‰ Rating

The Apiary

The Apiary
by Kate Douglas
Directed by Kate Whoriskey
2nd Stage/Tony Kiser Theater
February 11, 2024
Production website
πŸ’‰πŸ’‰ out of 5.

The Apiary just didn’t do it for me.Β  I am glad that it didn’t take more than 80 minutesΒ  to explore its one note look into science vs. morality.Β  For me, the play harkened to theme and variation of Little Shop of Horrors – – here, in a laboratory charged with keeping bees alive – bees are found to have a taste for dead humans and if you want to keep the bees alive and multiplying, then you need to supply them with bodies – lots and lots of bodies.Β  So, just like Little Shop, the task is easy at the start, but soon becomes grizzly and overwhelming at the end.Β  Worse than overwhelming, it just got predicable. Β 

The Seven Year Disappear

The Seven Year Disappear
by Jordan Seavey
Directed by Scott Elliott
The New Group
February 8, 2024
Production website
πŸ’‰πŸ’‰ out of 5.

The Seven Year Disappear presents a performance art piece about a performance artist working to create a performance art piece about her relationship with she and her son.Β  Cynthia Nixon, in the lead roll unexpectedly disappears at the very moment she is to have commission given to her by the Museum of Modern Art.Β  The disappearance is for seven long years and leaves even her son puzzled as to its meaning.Β  In his mother’s absence, he feels her presence in all of his/her friends, coworkers, strangers – and even the guy he is flirting with in a dark bar..Β  Suddenly she pops up and expects the son to join her in being a part of her next piece as if she never left.Β  Obviously, the son has a LOT of questions and a LOT of issues to solve with his mother. The play seems to want to explore motherhood, self-discovery, and the skeletons we keep in family closets.

Yira, Yira

Yira, Yira
Co-Directed by Bruno Isakovic and Natisa Rajkovic
Queer New York International Arts Festival at the Skirball Center for the Performing Arts at NYC
February 7, 2024
Production website
πŸ’‰πŸ’‰ out of 5.

Yira, Yira was more of a doc-theatre piece than an actual play. Co-directors Bruno IsakoviΔ‡ and NataΕ‘a RajkoviΔ‡ spent several months with four Argentinian sex workers, leading to their theater piece, Yira, Yira (Cruising, Cruising,) which reveals aspects of sex work and fights against some of the stereotypes we have.Β  Performed by actual sex workers – 2 men, 1 woman, and 1 transvestite – we enter the world of sex work defined both by personal choice and circumstances. We also become aware that at the same time, we are talking about their work conditions in general, demand and supply, healthcare, and other benefits afforded to any other working person in Argentina.

Public Obscenities

Public Obscenities
written and directed by Shayok Misha Chowdhury
Soho Reperatory at Polonsky Shakespeare Center
February 6, 2024
Production website
πŸ’‰πŸ’‰ out of 5.

Public Obscenities 

Public Obscenities is one very big play coming in at over three hours. Our playwright involves as many themes, histories and possibilities as he can possibly put into the space given. Truthfully, this play would be best done as a mini series where all of the pieces could fit together and find their proper resolution. The play is at once to long for the audience and two short to wrap up all that it opens up.Β  The play centers around a Bangla, American student, who has returned to his native India, for a oddly defined academic project at the PhD level in which he claims to want to study English, anthropology, performance, gender and cinema – – although how that all comes together for one PhD package is a bit hard to figure out.Β 

Wounded

Wounded
by Jiggs Burgess
Directed by Del Shores
P3 Theatre Company
February 4, 2024
Production website
πŸ’‰πŸ’‰ out of 5.

Wounded is one of the rare productions at a Fringe Festival that is a traditional play with a protagonist and a forward moving plot. The story revolves around a β€œwounded” man, Carrol, who over-compensates with everything (food, affectation, gossip, babble, etc.) to make up for feeling like a nobody.Β Soon to enter is his high school classmate, Robert, equally β€œwounded” now an addict, living with the parents – – in his fifties unable to get started in life.Β  The play focuses on how an unhealed past simply feasters and feasters until it damages everything its path. Β