Good for Otto
Written by David Rabe
Directed by Scott Elliot
The New Group at the Pershing Square Signature Theatre
March 21, 2018
Production website
💉 out of 5.

As a MFA Playwright from Penn State – and now a high school teacher of playwriting, I always run into the same problem with beginning writers. When given the choice to write about what they want to write  about, young students seem to gravitate to setting their play in the psychiatrist’s office.  The reason is clear – rather then writing a story with some conflict – rather than SHOWING us the story – they would rather put a wild, kooky outragious character on a psychiatrist couch and just drill them with questions to get a monologue out of them.  It is cheap easy playwriting.  You don’t have to SHOW us you can just TELL us – and that is not what our art form is about. Continue reading Good for Otto →

Edward Albee’s At Home at the Zoo
Written by Edward Albee
Directed by Lila Neugebauer
Signature Theatre
March 21, 2018
Production website
💉💉💉💉 out of 5

It is so great to back in New York and back in the theatre.  After a break of a few months it was so wonderful to curl up on a snowy Tuesday evening to watch essentially two characters tear through some language to create some beautiful Albee-esque existentialism.  The play was a combination of two one acts – the later being the classic “Zoo Story” that EVERYONE reads in college and debates for hours and EVERY young male actor gnashes their teeth (literally) to tell the infamous “dog story”.  What was new for me – was to see the play, “At Home” that was written as a precursor to the “Zoo Story” and gives us a bit of character background to the rather flat and enigmatic Peter. Continue reading Edward Albee’s At Home at the Zoo →

Cardinal
Written by Greg Pierce
Directed by Kate Whoriskey
2nd Stage
January 14, 2018
Production website
💉 out of 5.

In all the plays in all the world – why would anyone chose to do this play?  I just don’t get it  I am not sure what someone in authority was about when they read this play and said, “This is what I need to commit valuable time and resources to.”  Why?  Why?  Why?  This was one of those plays that I sat in the middle of a full house and peeked out to my fellow audience members to see if anyone was getting more out of this play then I was – cause I wasn’t getting anything.  I was not interested in any of the characters or their struggles.  I didn’t believe them and certainly didn’t believe the “development” of the story. There wasn’t an ending moment (much less a climax) where everything came together except a gun shot that no one on stage seemed to care about and the concern on the freshness of hospital muffins. Continue reading Cardinal →

Party Face
Written by Isobel Mahon
Directed by Amanda Bearse
New York City Center Stage 2
January 13, 2018
Production website
💉 out of 5.

Before you judge – let me explain – I had an open slot – and this was a new play – and the tickets were $132 but only $28 on TDF so that was a seemingly good deal – and it was in previews, which is fun – and it did star Hayley Mills who was in Parent Trap so that’s good.  Right?

I walked in the small theatre of Stage 2 at City Center – and the set looked great – close, intimate, elegant – but almost too good looking like they were hiding something.  Then clue #2, I overheard the house manager talking to a friend saying “I hope you are okay with this – but she is so lovely to work with.” Continue reading Party Face →