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A Thousand Ways – Part 2: An Encounter

A Thousand Ways – Part 2: An Encounter
Written/Directed by 600 Highwaymen
Public Theatre
June 14, 2021
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5

Now the action of Part 1 shifts gears sharply. Now this next $15 dollar ticket gets you to the actual THEATRE and gets you sitting directly across from an actual person. Still an audience is lacking but at least we are getting a live event! That’s big! There were about a dozen or so waiting in the lobby and one by one the usher would lead into one of the many theatre spaces of the Public Theatre where we would find ourself on-stage (not in the audience) and facing a simple, well lit table, 2 chairs, one social distancing screen, a stack of typed cards, a pencil, a blank card, and a tape dispenser. Rather spooky to be sitting there all alone. Eventually another person from the lobby that you do know know at all is led into your space and sits in the opposite chair.

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A Thousand Ways – Part 1: A Phone call

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A Thousand Ways – Part 1: A Phone Call
Written/Directed by 600 Highwaymen
Public Theatre
June 13, 2021
Production website
πŸ’‰πŸ’‰ out of 5

Let me begin by saying that this really isn’t theatre in that it lacks one essential ingredient – an audience. This makes Thousand Ways an experience and not technically theatre. But at this point in theatre’s resurgence, I’ll take ANYTHING! The premise is interesting: everything happens with a phone call to a total stranger that remains a stranger throughout. Once your $15 dollar ticket is purchased, you are given a day, a time and a code to dial. When that time comes and you enter the code an pre-recorded electronic voice patches you through to another random person. From there the most mechanical voice asks you to share things with your partner ranging from serious to silly and to do all kinds of imagined fantasies as to what this person must look like and what their habits might be.

Continue reading A Thousand Ways – Part 1: A Phone call

Theatre is Back . . .sorta . . .

It seems like forever that I remember two ushers talking to each other after a matinee performance of The Minutes and one of them mentioning that a third usher was not going to be able to come to work that evening because she had a strange and very strong virus. Little did I know that that evening’s performance was going to be cancelled and so was all of theatre around the world going to be cancelled for the 459 days. It was a VERY rare snow day that could close Broadway – it seemed like it could survive anything but no – – this virus was a different matter entirely. But now things are slowly beginning to loosen up. Theatres are beginning to announce their seasons – most of which will launch in September and October of this year. I cannot wait. I built much of my retirement plans around the idea that I would be skipping off to NYC frequently, stay at my pied-Γ -terre, and watch theatre with abandon.

The Minutes

The Minutes
Written by Tracy Letts
Directed by Anna D. Shapiro
Cort Theatre
March 11, 2020
Production website
πŸ’‰πŸ’‰πŸ’‰ out of 5

All of the advertising says that you are going to get a big surprise and twist at the end of this production – and granted you do, and, obviously, I am not going to spill the beans here. Β The problem I have with this big moment is that it was rather predictable 40 minutes into the show. Β You weren’t able to predict how visual this surprise was going to be – but you knew how the tables were going to get changed and the absent councilman was going to figure into the mix. Continue reading The Minutes

GNIT

GNIT
Written by Will Eno
Directed by Oliver Butler
Theatre for a New Audience
Polonsky Shakespeare Center
March 10, 2020
Production website
πŸ’‰πŸ’‰πŸ’‰πŸ’‰πŸ’‰ out of 5.

I loved, loved, loved this show. Β It is one of the very few “5 needle” productions I have given out over the past few years. Β Every single moment of the play was a treasure. Β I couldn’t wait for the next scene or the next change in plot. Β Even after its 2+ hour run time, I wanted more and more. I have read so many posts in Facebook over Spring Break of my friends and former students taking in Moulin Rouge, Come From Away, The Inheritance, and on and on and rightly raving about each show. Β BUT, if they miss Gnit, they are missing New York theatre at its very best! Β If my friends and former students value my opinion, then THIS must become their must see! Β  Here are a few reasons this play thrills:

Continue reading GNIT