Manahatta Written by Mary Kathryn Nagle Directed by Laurie Woolery Public Theatre November 30, 2023 Production website 💉💉 out of 5.
Manahatta written by Mary Kathryn Nagle takes place in present day Oklahoma as well as present day Manhatta known today as Manhattan. The show follows Jane Snake as she rises to the top ranks of Wall Street, while her family back in Oklahoma struggles to keep their home. The family struggles as they are paying for a mortgage with an ARM – a loan repayment feature that brought down so many families during the housing crash of the 1980s. The show tries to draw a connection between what was happening for this Indian family in the 17th century Manhatta and the current time. The play depicts the arrival of the Dutch settlers representing the Dutch East India Company, who subsequently take the land of and massacre the Delaware Lenape people, driving them out of Manahatta and Lenapehoking.
20 Seconds – a play with music Written and Performed by Thomas Sweater Directed and Developed by Jeremy Scott Blaustein The Pershing Square Signature Center September 14, 2023 Production website 💉💉 out of 5.
This is a really tough play to review because the heart of the play is so true, so heartfelt and so important but the stage mechanics of it were so clunky. Clearly this work of love, resilience, and the undeniable “power of music to make real change in a persons’ life” belongs on the stage, but it could have used some better dramaturgy. Tomas Sweater’s autobiographical work leads us from his trouble childhood where music provided companionship to a career as a music therapist.
The Half-God of Rainfall Written by Inua Ellams Movement Direction by Orlando Pabotoy Directed by Taibi Nagar New York Theatre Workshop July 15, 2023 Production website 💉💉 out of 5.
The Half God of Rain was a mighty interesting show to see. It is not often you get to see a story about the Greek gods’ intervention in the life of a Nigerian basketball player . . . I was lucky to see it on only its second preview performance, so the cast was discovering things right along with the audience. I did have a couple of observations of the show. To begin the play was set in a stage filled with small black gravel. I thought this was a terrific idea as soon as the cast came out at the beginning and started to walk out in unison you could hear the crunch of the gravel beneath them. It was wonderful sound effect. I only wish that they had used this gravel more often during the show it was such a spectacular possibility for the show I just wanted them to exploit it further.
Alex Edelman Just for Us Written and performed by Alex Edelman Directed by Adam Brace Hudson Theatre July 11, 2023 Production website 💉💉 out of 5.
Most of the time when I go to New York to see shows, I purposely don’t do any research on the show. I like to be surprised. I like to have that experience for the first time. I held true to that in seeing Just for Us. I didn’t know a thing about the show other than it was a one-man presentation. It didn’t take me long to figure out that this was going to be stand-up comedy routine in a much, much larger space. I have seen this kind of format a few times before and it has worked – but at times the space fought the performance. This show felt to me like it was begging to be in a smaller space. I can only imagine what fun it was to see this piece when it was in various small clubs and experimental places around the world. I’m sure it had to be something to experience.
The Thanksgiving Play Written by Larissa Fasthorse Directed by Rachel Chavkin The Helen Hayes Theater May 26, 2023 Production website 💉💉 out of 5.
What this play sets out to do and what it accomplishes are two very different things. The play itself focuses on four very white individuals who work to create a politically correct “First Thanksgiving” play for Native American Heritage Month to be performed in various elementary schools. They hire a Native American actor, but later find out she is white and only plays ethnic on demand. The play then goes on to explore themes of historical accuracy and privilege. The playwright, a native American herself, sheds some light on the misrepresentation of Native Americans and the lack of indigenous casting.
